Contents /Sommaire
Contents /Sommaire
Regional
Traditions in Instrument Making: Challenges to the Museum Community Ed. by Martin
Elste, Eszter Fontana and John Koster.
CIMCIM Publications, no.4, 1998, 82 p., ISSN 1019-9977.
Including papers read
at the CIMCIM meeting, Nagycenk; Hungary, September 1996. exploring regional
variations in instrument making, and the historical, geographical and environmental
factors which have determined them. The papers also discuss the implications
of these variations for museum acquisition policies and the interpretation of
collections.
CONTENTS
Preface: Sumi Gunji, Tokyo. Preserving a Violin-Making Tradition in its Historial
Context; Die Allemanische Schule - Second Edition of Olga Adelmann's Monograph
- Annette Otterstedt. Berlin German Bow-Making Tradition - a Wide Span in Quality,
or: When is a Sow Worth Collecting ?. Rudof Hopfner, Vienna Violin Making m
Berlin - Artists, Craftsmen, Scholars and Businessmen: Martin Elste, Berlin.
Regional Schools of lnstrument-Making in France. their Representation in Public
Collections: Florence Gétreau, Paris. Preserving Pennsylvania German Instruments..
Laurence Libin, New York. Traditions and Individualism in Canadian Instrument
Making. Carmelle Beágin. Hull, Québec. Regional Tradition in the Making of Short-Necked
Lutes Sumi Gunji. Tokyo. The Vessel Flute in Ukraine-. Raisa Husak. Kiev. Field
Documentation of instrument Making in Traditional Cultures. Collecting Interpretive
Data Based on an Example from the Guarijio Indians of Mexico J. Richard Haefer,
Tempe. Arizona Wood, Bronze and Bamboo: Among Instrument Makers in Guichow Province,
China 1989: Hélène La Rue, Oxford.
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CIMCIM
Arnold Myers
The
Care of Historic Musical Instruments
ed. by Robert L. Barclay. Edinburgh: Museums and Galleries Commission, Canadian Conservation Institute and CIMCIM, 1997. 145 p., ill., bibl., index. ISBN 0-660-17116-3.
To order
/ pour commander :
36 CAD or 25.00 GBP
Canadian Conservation
Institute
1030 Innes Road, Ottawa, Ontario, K1A 0M5, Canada
Tel. +1 613 998 3721. Fax +1 613 998 4721
Email: cci-icc_publications@pch.gc.ca
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Copies
of Historic Musical Instruments
CIMCIM Publications, no. 3, 1994, 35 p. ISSN 1019-9977.
Papers read at the CIMCIM
meeting Antwerp, July 1993, bringing together members' experiences with copies
of museum instruments and exploring the philosophical and technical problems
of copying.
CONTENTS
Introduction: Jeannine Lambrechts-Douillez, Antwerp. Reflections on the "Authenticity"
of Musical Instruments: Martin Lisle, Berlin. The ",Exact Copy " as a Legitimate
Goal - John Koster Vermillion, Measure for Measurement: Eszter Fontana Budapest.
Radiographing Musical Instruments. a Useful .Method in Organological Research:
Mia Awouters, Brussels. The Provision of Plans: Jeremy Montagu, 0xford, Materials-from
Endangered Species in Musical instruments: Laurence Libin, New York The Clavicytherium
(c 1480) and its "copy" in the Royal College of Music Museum. London: Elizabeth
Wells. London Building Biblical Instruments: Nina Benzoor Haifa Israel.
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CIMCIM
Arnold Myers
Training
in Musical Instrument Conservation
CIMCIM Publications, no.
2, 1994, 31 p. ISSN 1019-9977
This publication addresses the needs for training in musical instrument conservation
by presenting the results of a worldwide questionnaire survey, and by discussing
personal experiences with training in museums.
The publication is in three parts: "A Survey on Training for Musical Instrument
Conservators " which outlines the findings from the questionnaire; a paper by
Friedemann Hellwig entitled "The Conservator of Musical Instruments: A Critical
Analysis of the Position and Tasks in the Museum ",. and a second paper by John
Koster entitled ''The Role of the Musical Instrument Conservator. "
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CIMCIM
Arnold Myers
Recommendations
for the Conservation of Musical Instruments : An Annotated Bibliography
CIMCIM Publications, no. 1, 1993, 19 p. ISSN 1019-9977.
CIMCIM recognised the need for a document addressing conservation and restoration of musical instruments after concerns had been expressed that restorations continued to be undertaken that were unacceptable ethically. Although it was agreed that museum codes of ethics and other published works already covered this ground it was nevertheless felt that curators and restorers of musical instruments did not necessarily have access to these publications. This document was formulated to facilitate access to relevant material. It consists of twenty annotated entries on a wide range of musical instrument topics, including care and maintenance, codes of ethics, safe practices, and the concerns of display and performance. An address list of all publishers referred to in the text is provided.
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CIMCIM
Arnold Myers
Recommandation
for Regulating the Access to Musical Instruments in Public Collections
CIMCIM 1985. Disponible également en français, espagnol, allemand, italien, japonais / Also available in French, Spanish, German, Italian, Japanese.
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1.00 GBP or 2,00 EUR
CIMCIM
Arnold Myers
Edinburgh University Collection
of Historic Musical Instruments,
Reid Concert Hall, Bristo
Square,
Edinburgh EH8 9AG, Scotland,
United Kingdom.
Email : a.myers@ed.ac.uk
Preservation
and Restoration of Musical Instruments : Provisional recommendations
A. Berner, J.H. van der Meer and G. Thibault, with the collab. of Norman Brommelle. Paris: ICOM, 1967, 77 p., ill.
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